Multi-camera packages
Cinema and broadcast camera bodies matched to the show: ENG, PTZ, jib, ROV. Lens choice driven by venue distance and the story being told.
02 · Service
Camera & Broadcast.
Multi-camera capture, switching, and signal routing with redundancy at every node.
Principle
Multi-camera capture, switching, and signal routing — built with redundancy at every node.
The cut you don't see is the one that worked. We design for the failure mode first, then the show.
Capabilities
Live switching
Switcher operated by an engineer who reads the room — cuts respect the music, the pacing, and the programme. Multi-source confidence monitoring on every input.
IMAG and projection
Image magnification calibrated for the audience seat lines. Projection mapped, edge-blended, color-matched across surfaces.
Streaming and broadcast
Encode pipelines built with redundancy at the network and source layer. Latency budgets known before the show — not discovered during it.
Signal redundancy
Dual-path SDI, IP, and fiber. Fail-over tested under load. The cut you don't see is the one that worked.
ISO and capture
Per-camera ISO recording for post and re-cuts. Captured to standards downstream editorial actually wants.
Frequently asked
Common questions about camera & broadcast.
Multi-camera capture, live switching, signal routing, IMAG and projection, streaming and recording. Designed with redundancy at every node — the cut you don't see is the one that worked.
Yes. Encode pipelines built with network and source redundancy. Latency budgets known before the show, not discovered during it.
Per-camera ISO recording in editorial-friendly codecs and frame rates. Captured to standards downstream editorial actually wants.
Cinema and broadcast bodies matched to the show: ENG, PTZ, jib, ROV. Lens choice driven by venue distance and the story being told.
Yes. Image magnification calibrated for the audience seat lines. Projection mapped, edge-blended and color-matched across surfaces.
Direct line